Americans Amy, Stacy, Jeff and Eric look for fun during a sunny holiday in Mexico, but they get much more than that after visiting an archaeological dig in the jungle.

Created to mark the sixtieth anniversary of the consecration of Coventry Cathedral, Ghosts in the Ruin is a performance work that features original choral music, projections of archive imagery and poetry by local writers. The piece takes audiences on a physical journey between the new cathedral and the ruins of the original site, retelling the history of the space and exploring themes of reconciliation and sanctuary that characterise the city. This is the film of the site-specific performance, commissioned by Coventry Cathedral and the Coventry City of Culture Trust, and created by Ivor Novello Lifetime Achievement recipient Nitin Sawhney CBE with the people of Coventry.

Episode in the life of a composer of a popular Japanese song.

An aging actress and socialite, Jessica Medlicott has ended her engagement with a younger man and is now being sued by her former fiancé. Esteemed barrister Sir Arthur Glanville-Jones is assigned to represent Jessica in the lawsuit, and he also happens to be an old suitor of hers from decades earlier. While Jessica claims not to remember him, and Arthur still smarts from her earlier rejection, the two form a close bond during the case.

War drama based on a short story by Akiyuki Nosaka.

Kurt Wallander and the team are stumped when they find an old man, Greger Stehn, dead due to poisoning. It appears that Stehn, who looked like a vagrant, was in fact very wealthy.

Quarry workers and construction sites. Private neighborhoods. Paleontological digs. The earth unites and separates all of them, and everyone has an interpretation of how this world should be inhabited. The documentary follows their interests to build a story about the expansion of the city and its consequences.

Bhutanese horror film.

A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe

An amateur archaeologist obsessed with e-waste records images and sounds over ten years. His research takes the form of a personal, playful and musical diary, crossing borders and archives. One day, he arrives at an electronic recycling workshop where the ghost of a working poet manifests itself. The search takes an unexpected turn and he sets out, in the company of his cat Pendrive, to explore the links between technology and memory. In times of environmental crisis, overproduction and acceleration of consumption, he wonders: how will history be written in the future?

The film takes place during the civil war. Tolya Dergach, having lost his parents, falls under the influence of bandits looking for hidden treasure in the ruins of the estate. The boy, of course, will understand his new friends — and together with old friends will help the security officers to neutralize criminals.

Mona falls in love with her college professor Mahmoud despite the fact that he's a married man and many years her senior. Mona is forced to marry another man and leaves Egypt. Years later, Mona returns and finds out that Mahmoud has been hit by a car and is now in a hospital. They meet again and recall their past romance.

A young poet named Lal (32) spends his endless days alone with his thoughts inside his small prison cell. A sparrow, not certain if its real or if its a product of his imagination, suddenly appears inside his cell. This sparrow flying frantically while looking for an escape, pushes Lal to go on a personal journey caught in between reality and a dream. As the poet returns to the streets of the city of his childhood, he will find time frozen, his memories destroyed and his people scattered.

To film without looking trough the viewfinder; to emulate a tactile, subconscious vision. This was the intention of "A traves de las ruinas", made during the Falklands War (April-May 1982). The camera is a vacillating gaze that moves about in the darkness or is blinded by flickering. At the beginning, it delves into the sea, later it represents aerial bombardments through urban lights. Silhouettes of human figures appear that never manage to connect with each other. Scarcely lit places, photographed on the "threshold or exposure"; wintry, generalized interaction of spaces, distances and dynamics. A continual present made up of intuitions and imprecise memories.

He hid from life in the ruins -he came out of the ruins to death! A man condemned to live in the shadow of a great love-never to realize it until he makes the supreme sacrifice.

Directed by Nathan Axelrod and Alfred Wolf.

Two Post Apocalyptic survivors have a bag stolen from them, a bag that contains a treasure so great they will do anything to get it back.

When Ayden arrives at a deserted church in the forest, he meets the strange Doctor Faber who offers him some food, if Ayden promises to provide the next meal. While both men are having a BBQ, a young girl enters the church, searching for her sister. Dr. Faber offers her some food, if she promises to provide the next meal.

Six days of shooting through the desert deathscape, Mojave motels with bug blankets and bone white rocks, future retro Reno motels with pink light bulbs where we shot in kimonos and 7 inch heels until the sun came up, exploring death valley dunes while being our own crew and stars, to dance in the ruins of Rhyolite in Nevada where thunder cracked the sky.